She was born into the family of the grandfather of the famous avant-garde artist A.V. Shevchenko (1883-1948). She graduated from the art school on Prechistenka (teachers Khazanov, Gluzkin). She worked in publishing houses and illustrated scientific publications (the multi-volume work by Sechenov, etc.). In 1970, she graduated from the Moscow Polygraphic Institute (teachers Mitutich, Burdzhelian, Goncharov, etc.). In 1969, she participated in her first exhibition, "Exhibition of Radio and Television Workers." 1976 - Joined the Moscow Society of Artists. Participant in spring, autumn, and other exhibitions. 1976 - Joined the Painting Art Combine and worked there for 18 years, creating 45 paintings. Her works are in private collections in Moscow and museums in Ivanovo, Yaroslavl, Kharkiv, Novosibirsk, and Nukus. She has had five solo exhibitions in Moscow and one in France. Many works are located abroad: France, Israel, Italy, USA, Bulgaria, Yugoslavia, Germany, England, Czech Republic, Slovakia, New Zealand. Included in the "Encyclopedia of Painting from Ancient Egypt to the Present Day" in the "Artist's Lexicon" section (published in Germany).

Shevchenko Tatyana Alexandrovna (1911 – 1997, Moscow). Honored Artist of Russia (since 1993). Member of the Painting Section of the Moscow Art Society (since 1945). Daughter of the painter Alexander Vasilyevich Shevchenko (1883 - 1948). She studied under her father, the head of the painting workshop at VKHUTEMAS. Personal exhibitions were held in 1975, 1979, 1992, 1993, 1998, and 2001 in Moscow; in 1979-1984 in Podolsk, Nukus, and Yaroslavl. The works are in the State Tretyakov Gallery and the State Russian Museum. Shevchenko Tatyana Aleksandrovna (1911-1997).

Tatiana Alexandrovna Shevchenko is a brilliant master of painting who became a prominent artist of the second half of the 20th century, confidently occupying her own niche in Russian fine art.

Alexander Vasilyevich Shevchenko (1883-1948) was a Russian and Soviet painter, graphic artist, art theorist, and avant-garde artist.

In the midst of the struggle for new forms in art in the 1910s, Shevchenko was the most traditional of the artists. Larionov, in his assessment of Shevchenko's painting, wrote that he "introduced the forms of Cubists, Futurists, and Radians into a strictly academic painting." Shevchenko was drawn to new forms not only as a practicing artist but also as a researcher and experimenter. He was particularly fascinated by neo-primitivism. In search of plastic unity of form, Shevchenko turned to the work of Paul Cézanne in the early 1920s.